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Food For Thought
Do we have a genuine, Australian Cuisine, and what is a Cuisine? Alan Saunders ponders the mystery
As my taxi nosed its way through The
Rocks, the driver said he had a problem. Japanese tourists often asked him to
take them to a restaurant where they could have genuine Australian
Cuisine. What was he to do?
Mostly he took them to a Black Stump
Restaurant, reasoning that steak well-done was a pretty Australian sort of thing
to eat. Fair enough too. I have to say though, never having been to one of
these places, I don’t know that their steaks are capable of exciting the
extraordinarily high expectations of Japanese punters accustomed to Kobe steak
(which is meat from cattle brought up on a diet of beans and beer, massaged
tenderly and generally killed with kindness in ways that you probably
don’t want to think about).
I did suggest, though, that he might
try somewhere devoted to
Indigenous Australian ingredients,
Riberries or Edna’s Table. He sounded grateful.
You don’t really believe any
of those do you? You know as well as I do that the mythical taxi driver,
repository of popular opinion, is a drunken journalist substitute for serious
research (just invent a taxi driver and put into his archetypal mouth any rumour
that you want to run). Trust me, it really did happen, even though it is
particularly implausible now that we know officially that the Japanese
don’t think that we have
Cuisine of our
own.
Personally, I don’t blame
them. I don’t say that if I’d been a Japanese immigration official,
I’d have refused a visa to those two Australian chefs who weren't let into
Nagoya until a couple of weeks ago, but I do think that the boys with the rubber
stamps have a point – we don’t have a
Cuisine in the
way the Japanese have a
Cuisine.
But what is a
Cuisine?
It isn’t easy to say. The Oxford English Dictionary claims that it’s
a “manner or style of cooking”, which is not at all
helpful.
What’s a manner? Is it a
method of cooking? If it is, then there are lots of
Cuisines but
not very many national
Cuisines, because nearly everybody boils,
fries, roasts and so on.
What’s a style then? The idea
of a style of cooking (with its suggestion of fads and fashions) does at least
come close to one of the things we mean when we talk about
“
Cuisine”. In the 70’s, just about every French
chef worth his toque seems to have had a “
Cuisine” of
his own, like nouvelle
Cuisine (not much food but an awful lot of
plate) and
Cuisine minceur (even less food and even more
plate).
However, every one of these
Cuisines was recognisably part of French
Cuisine, so the idea of
Cuisine must be wider than
that.
Perhaps all these French
“Cuisines” - nouvelle, minceur, naturelle, du soleil
– amount to the one language being spoken in a variety of accents and
voices. So what makes the French speak French, gastronomically speaking and the
Japanese speak Japanese.
Well to begin with, there’s
the choice of ingredients. This is naturally enough, governed in part by
availability. The idea of availability doesn’t take us very far.
Obviously if you haven’t got something, you can’t eat it, but people
will go to extraordinary lengths to get something they haven’t got and, on
the other hand, they’ll refuse to eat something they have
got.
Then again, having decided that
they’re not allowed to eat something, they’ll go to great lengths to
redefine it so that they are allowed to eat it (the Japanese used to do this:
they decided that the deer was a sort of whale and therefore a fish and therefore
acceptable to vegetarian Buddhists).
Having chosen your ingredients, you
have to choose your manner of cooking. This too, can be dictated by local
circumstances. China, for example, has never been rich in fuel, so the Chinese
had to find means of heating their food quickly and efficiently.
Stir–frying was the answer.
But we still haven’t worked
out why, say, a Chinese fried chook is part of an ancient
Cuisine
recognised and respected even by Japanese immigration officials but an
Australian fried chook isn’t. The answer must be
flavour.
If we look at almost any ethnic
Cuisine, be it Indian, Vietnamese, Hungarian or Mexican, we will
find within each culinary traditions “the pervasive use of uncertain
combinations of seasoning ingredients” says the American food writer
Elisabeth Rozin. “Every culture tends to combine a small number of
flavouring ingredients so frequently and so consistently that they become
definitive of that particular
Cuisine”.
So its soy sauce, rice wine and
ginger in China; fish sauce, lemon and chilli in Vietnam and paprika, lard and
onions in Hungary. It’s difficult to think of any flavours that define
Australia in quite the same way. In a splendid defence of the barbie, Graham
Pont, philosopher and gastronome, has movingly evoked ‘”delicious
memories of burning gum, overdone sausages and chops and powerful red wine“, but this isn’t the sort of combination of flavours that Rozin is talking about.
However well we cook our chooks, an Australian chook will probably never seem
typically Australian in the way that a Chinese chook will seem typically
Chinese.
We could, of course, try spicing our
chooks with
Indigenous Australian flavours like lillipilly and
lemon myrtle, but while this is well worth doing for its own sake. It's not
going to give us a
Cuisine of our own.
Cuisines evolve over centuries of comparative isolation (or
total isolation in the case of Japan).
You can’t knit your own any
more than you can buy yourself a set of new ancestors.
This is bad news it you’re
trying to get a visa at Nagoya or wondering what to do with a taxi-load of
Japanese tourists, but I don’t think the rest of us need to panic. We can
just lie back and enjoy the extraordinary competence of our cooks and the
flexibility and spirit of adventure that are our substitutes for a
Cuisine of our own.
Alan Saunders presents The Food Program on ABC Radio National
After reading the article, answer the
following two questions:
Explain the term
Cuisine.
List 3 factors that contribute to the
recognition of a Cuisine.
Check your answers.
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