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Gendered Language
This material was written by Nicole Archard (Mayhew).
Description of the Module
How to learn to distinguish and evaluate the values expressed through texts
How to learn to distinguish how different texts are valued
Student Exercises
Resources
Description of the Module
In this Module students will explore and evaluate the ways in which language
shapes and reflects culture and values. Students will develop their own
understanding of values as well as the process of valuing.
Through the study of their prescribed and related texts students will
consider the nature of the influence of social roles and expectations and
examine the relationships between power, gender and language.
In the course of their study students will learn to identify the societal
assumptions relating to the roles of males and females and analyse how these
are portrayed through the visual and written language of a text. In identifying
the gender assumptions that are imbedded in texts students will discern whether
these portrayals of gender are the result of the composer's own contextual
influence, either consciously or subconsciously, society's predetermined
schemata of gendered roles or the readers own assumptions. Students will learn
to question the purpose of texts, analyse how the reader is positioned by the
text and determine how the constructions of gender are produced, regulated and
challenged within a text.
Through close study of the prescribed and related texts students will
develop:
- knowledge and understanding of how and why texts are valued
- skills in composing a range of imaginative, interpretive and analytical extended
- skills in extensive independent investigation

How to learn to distinguish
and evaluate the values expressed through texts
- Demonstrate an understanding of the difference between gender and sex.
"Gender is not something we are born with, and not something we have,
but something we do - something we perform." (Lannguage
and Gender,
Penelope Eckert and Sally McConnell-Ginet, p10).
Students need to demonstrate an appreciation that gender is a construction built
upon by particular values and attitudes
.
- Demonstrate an understanding of the definition of value and attitude in order to then apply
these terms to the texts studied.
"Values are ideas to which people attach importance, and on which they
base their actions. People acquire their values from the social environment
they live in. Texts can provide clues to a society's values through their
language and structure, and through the way in which they are read and
used." (Literary Terms. A Practical Glossary. Brian Moon).
- Identify the values found in prescribed and related texts and evaluating these in
relation to their context:
- roles of men and women
- marriage
- race
- gender
- social class
- love
- relationships
- Analyse how
language exposes assumptions relating to gender and social roles in
prescribed and related texts.
- Analyse the forms and structures of language in exposing assumptions relating to gender,
including such things as:
- syntax
- register
- discourse
- narrative/metanarrative
- linguistic signs
- signifiers
- speech tags
- point of view
- focalization
- foregrounding
- binary opposition
- figurative language (including: metaphor, simile, metonymy, and symbol)
- Identify the schema for masculinity and exploring how it is represented in texts through
language, eg:
- strong
- violent
- authoritarian
- hunter
- Identify the
schema for femininity and exploring how it is represented in texts through
language, eg:
- beautiful
- emotional
- submissive
- dependent
- Analyse and
assessing how texts are both products of and influenced by:
- the composers own contextual influence (imbedded either consciously or subconsciously)
- the readers own assumptions of gender
- society’s predetermined schemata of gendered roles.
- Demonstrate
awareness that texts are the construction of the author and are therefore
influenced by the author's gender, values and attitudes.
Unlike other critical theory, the majority of critical theory on
gender is written by women. Therefore it is often biased or opinionated
towards the feminist perspective.
Students need to learn to be objective when
studying the works of theorists and question texts, motives for presenting men
and women in particular ways. (See Review Essay: Selling the apolitical,
on Deborah Tannen)
- Evaluate how representations of gender are forever evolving.
Students should define the following terms:
- Masculinity/Masculine/Masculinist/Masculinise
- Femininity/Feminine/Feminist/Feminise
- Patriarchy/Patriarchal
- Matriarchy/Matriarchal
- Metrosexual
- SNAG
- Genderless
- Phallocracy
- Misogynist
- Femme fatale

How to
learn to recognize how different texts are valued
- Ask the following questions of prescribed and related texts:
- How are male and female characters represented in texts, conventionally, unconventionally?
Why? To what purpose?
- What do characters do? What roles do they perform?
- Are they depicted in active or passive roles?
- What kinds of character traits, plot structures and settings are associated with
femininity and with masculinity?
- What qualities are attributed to being male or female?
- How do characters engage with other characters of the opposite sex? The same sex?
- Do characters demonstrate the schemata of their gender? What happens when characters
move outside of this?
- How are gender assumptions being made in the text? Decide whose assumptions these are;
society's, the author's or the reader's.
- How is the reader positioned by the text? Are views relating to gender imposed on us
by the author? Are these male or female views?
- Study the different contexts, genres and forms of prescribed texts and related
texts.
The
Floor of Heaven :
Postmodernist Verse novella; contemporary context.
Twelfth
Night: Play; Elizabethan context.
Elizabeth :Film; Elizabethan context in which it is set and contemporary context in which it is made.
Women
and Men in Conversation :
Non fiction; contemporary context.
- Interpret and
analyse the conventions of written, spoken and visual language in the
prescribed and related texts.
Students should demonstrate an understanding of
how these conventions convey attitudes and ideas in relation to gender and how
form is also a reflection of the context in which the text is constructed.
Written texts:
- metaphor/simile/metonymy
- symbolism
- emotive/persuasive language
- juxtaposition/binary opposition
- recurring motifs
- suffixes/prefixes
- pronouns
- prose/verse
Film/Visual texts:
- colour
- light/shade/tone
- mise-en-scene
- vectors
- salience
- foreground/background
- composition
- perspective
- Identify and
explain the following attitudes and ideas for the prescribed texts:
The Floor of Heaven
- Women and men presented as binary opposites.
- Gender/identity of narrator is often unclear.
- Gender assumptions implied through physical descriptions.
- Postmodernist idea that life does not need to make sense or have meaning.
- Text questions whether human behaviour is socially constructed or innate.
- Text often presents antitheses in order to debate the role of men and women.
- Women need to become masculine in order to gain power/control.
- Men are defined through masculine traits (drinking/fighting).
- Text deals with the transference of identity.
- Men are no longer providers; they lose their ability to maintain control.
- Financial success for men means a meaningful existence.
Twelfth Night
- Play conforms to rigid codes of gender behaviour/identity that were characteristic of the
Elizabethan context.
- Action of the text demonstrates that individuals are more fluid than society allows
them to be (able to debate stereotypes).
- Both Viola and Olivia are portrayed as capable women who are able to look after themselves, they have escaped patriarchal society (to what extent?).
- Juxtaposition between imposed society and capacity of individuals of either gender.
- Olivia's acceptance of Sebastian and Cesario leaving the play with Orsino, but still dressed as a man, asks the question: does gender really matter?
- Does the play end with the triumph of marriage as reasserting natural order or is it the
unnatural imposition of a discipline that suits the established social order?
Elizabeth
- Film both challenges and conforms to gender codes. Society is represented as patriarchal
despite a female head of state.
- For women to gain power within this patriarchal society they must abandon their femininity. Elizabeth must "become a virgin."
- The cross genre of historical and romance film leads to conflicting attitudes and values
regarding the representation of gender. These different genres are
themselves the result of the two contexts applying to the film.
- Masculine behaviour is portrayed as pragmatic, demonstrated through conflict, religion and
politics.
- Feminine behaviour is portrayed as emotional, demonstrated through interpersonal
relationships and attitudes to love. For Elizabeth to gain power she must
step outside of the emotional and instead choose the rational view to marriage
by becoming "married to England".
Women and Men in Conversation
According to Tannen, "It's not that journalists,
other writers, or everyday speakers are deliberately, or even unintentionally,
'sexist' in their use of language. The important point is that gender
distinctions are built into language. The words available to us to describe
women and men are not the same words. And, most damaging of all, through
language, our images and attitudes are buttressed and shaped. Simply by
understanding and using words of our language, we all absorb and pass on
different, asymmetrical assumptions about men and women." (p243)
This idea demonstrates our incapability of communicating, oral or otherwise,
in an 'ungendered' way.
The following terms and ideas presented by Tannen
should be applied to the other prescribed and related texts in order to gain an
understanding of the above assumption:
- Metamessages
- Genderlects
- Symmetricalrelationships
- Asymmetrical relationships
- Report Talk
- Rapport Talk
- Identify the
relationship between power, gender and language in prescribed and related
texts.
By using Tannen and other critical
theorists, students should be able to identify how language both reflects
and produces positions of males and females within society.
Students should analyse the representation of
gender in texts by asking such questions as:
- Does women's speech render them as tentative, powerless and trivial?
- Does men's speech employ them into positions of dominance and control?
- Analyse how
language is a reflection of a variety of different contexts, such as:
- social context
- cultural context
- historical context
- political context

Student Exercises
Creative Tasks
- Language is a virus." Use this line as the basis for a piece of imaginative writing
that explores and expresses the complex nature of language.
- Wheresoever manners and fashions are corrupted, language is." Use this quotation as
the title for a feature article for the Spectrum section of The Sydney
Morning Herald.
- Compose articles or speeches by choosing one of the following headings:
- Feminist Progression - Masculine Regression.
- If Men are the head of the house then Women are the neck.
- Women are not born they are made.
- Men are not born they are made.
- What are little boys made of? (slugs and snails and puppy dogs tails).
- What are little girls made of? (sugar and spice and all things nice).
- Behind every successful woman is herself.
- I have yet to hear a man ask for advice.
- We are becoming a genderless society.
- A way to a man's heart is through his stomach.
- When God made man She was only joking.
- Bimbo / Macho: Constructing Gender.

Analytical Tasks
- "Gender informs and complicates both the writing and
reading of texts." Draw
upon your study of gendered language to discuss this view.
- Language is the basis of meaning. As gender roles shift so too must language shift.
Discuss your observations about the shifts in gendered language.
- Is The Floor of Heaven promoting sexist values? What effect do the Post
Modernist features have on the text?
- Is the study of Gendered Language only useful for unmasking the subordination of
women by men in a patriarchal culture? In your response refer to the texts you
have studied as well as other texts of your own choosing.
- Choose 3 articles from the Resources list.
In each article examine the following.
- Gender/sexual identity
- Class
- Race
- Religion
- Family organisation
- Public behaviour
What attitudes do these texts implicitly or explicitly affirm?
- Throughout the study of
this Module and Elective students should independently research related
texts, collecting their information in a portfolio.
- Students should address
the following questions for each text and reflect on their own
understanding of gender:
- How is the reader positioned by the text in regards to gender?
- How is gender constructed by the text?
- How are particular versions of masculinity and femininity constructed in the text?
- How are constructions of gender produced, regulated and challenged within the text?
- Identify the relationship between power, gender and language.
- Research a range of texts
from a variety of contexts and selecting those most appropriate in
conveying varying attitudes and values in relation to their representation
of gender.
- You are to deliver a
persuasive speech at a conference concerning young people of the future.
Your topic is: “Too many texts position readers and viewers to
accept stereotypical constructions of masculinity and femininity. “You
should refer to a variety of text types from a range of contexts in your
speech, showing how masculinity and femininity are constructed.
- Prepare and present a
Power Point presentation, demonstrating knowledge and understanding of
values in texts, how they are shaped and explaining the different ways of
valuing texts.
- Evaluate the ways in
which film directors shape and reflect the relationship between language,
gender and power. Compare how your prescribed
text Elizabeth
and one related film of your own choosing shape and reflect this
relationship.

Resources
Prescribed Texts:
- Women and Men in
Conversation. You Just Don't Understand. Deborah Tannen.
- Twelfth Night. William Shakespeare
- The Floor of Heaven . John Tranter
- Elizabeth: Shekhar Kapur
Related Texts:
Related texts for this Module are not hard to find. However, it is important
to choose texts that both confirm and challenge societal gendered assumptions.
Short Stories:
- Am I Blue? Marion Bauer
- Fabric Crafts, Anne Fine
- The Story of the Eldest Princess, A.S.Byatt
- He's Coming at Seven, Kathy Lette
Newspaper / Magazine Articles:
(Find current articles. Gender issues appear on a daily basis in newspapers
and magazines.)
Television Programs:
- Ally McBeal
- Sex and the City
- Queer as Folk
- Men Behaving Badly
- Queer Eye for the Straight Guy
Songs:
- I am Woman
- You Don't Own Me
Films:
- The Crying Game
- Billy Elliot
- The Adventures of Pricilla, Queen of the Desert
- The Birdcage
- Thelma and Louise
- Girl, Interrupted
- But I'm a Cheerleader
- Boys Don't Cry
- The Silence of the Lambs
- Aliens
Critical Readings:
- Boys are Beautiful,Glyn Parry
- Gender, Genre and Children's Literature , John Stephens
- Language and Gender, Penelope Eckert and Sally McConnell-Ginet
- Review Essay: Selling the apolitical. Senta Troemel-Ploetz.
- Feminist Perspectives on Language. Margaret Gibbon
- Feminist Literary Theory . Edited by M Eagleton
- The End of Equality .Anne Summers
- The Cambridge Companion to Shakespeare .Edited by Margeta de Grazia
and Stanley Wells
- The Cambridge Companion to Shakespeare on Film .Edited by Russell Jackson
- Language: The Social Mirror. Elaine Chaika
- Literary Terms. A Practical Glossary . Brian Moon
- Shakespeare: Texts and Contexts. Edited by Kiernan Ryan
- Shakespeare. An Oxford Guide. Stanley Wells and Lena Cowen Orlin
- Shakespeare's Women.Arnot
- Gendered Fictions . Wayne Martino and Bronwyn Mellor
- Your Language: Three. Maura Healy
- The Theory of Criticism. Edited by R. Selden.
- Media and Society. Michael O'Shaughnessy.
- What does it mean? Discourse, Text, Culture. An Introduction. Emma Robinson and Sophie
Robinson.
- What it Means to be a Man: Reading the Masculine . Phillip Butteress
- Linguistic Process in Socio-Cultural Practice. Gunther Kress Deakinllin
- Discourse and Society. Is there any ketchup Vera? Gender, Power and Pragmatics.
Deborah Cameron
- Communication and Culture: An Introduction. Edited by Gunther Kress
- Gender, Ethnicity and Sexuality in Contemporary American Film . Jude Davies & Carol
Smith
- Feminism and Linguistic Theory. Deborah Cameron
- Language and Gender. Istitla Singh
