Drama
Home > Drama > HSC Course > Individual Project > Video > Checkpoints, tips, pitfalls
Recommended skills, experiences
and equipment
- Time management and organisational
skills
- Practical experience
with video-making
- Access to camera and
editing facilities.
Understanding the medium
- Project advisers in other
subject areas may be sought if the drama teacher is unfamiliar with video
making.
- Students need to develop
an appreciation of the short film genre. Short film festivals are helpful
in conceptualising the finished product.
- Students will be required
to undertake the roles of:
- writer
- director
- camera operator
- editor
Planning and time management
Because of the diverse roles of the video maker, planning and time management
are crucial to the project's success.
Tips for video makers
- Plan a realistic project
in terms of equipment, time, commitments and resources.
- Draw up a schedule for
the whole project, allowing plenty of time for unexpected occurrences
- Adhere to your schedule
as rigidly as possible.
- Concentrate on developing
a simple idea and stick with it.
- Keep dialogue to a minimum.
Sound problems are a weakness of amateur video making
- Limit yourself to the
smallest possible cast and use only reliable actors.
- Book and rehearse actors
well in advance of shooting.
- Be familiar with all
equipment prior to use. Research and experiment as much as possible.
- Check out locations early.
- Plan for problems with
equipment, weather or actors.
- Record all decisions
in your logbook.
Selecting a subject
The subject should be a simple idea because of restricted time and resources.
There are a variety of genres to select from: comedy, mystery, adventure, romance,
etc.
Developing a narrative
- Don't write a script
to begin. A plot summary is much more manageable. Later this can be divided
into scenes.
- Tell the story through
video language, relying on the visuals rather than dialogue.
- Scripts should be precise
in describing what each scene contains.
- Each scene should have
a special impact on the audience.
- Beginnings and endings
are crucial.
- Juggling time: keep scenes
to bare essentials without confusing the audience.
- Dialogue should be minimal.
The actions of characters, the settings and the props are as important as
the dialogue. Look for a visual way of conveying information.
Settings and locations
- Locations will need to
be selected before a detailed script can be written.
- Each location has its
own atmosphere, sense of space, light, colour and mood.
- The setting should be
intimately connected with the story.
- Location should be considered
in practical terms: difficulties in filming, sound problems and light problems.
- While checking out locations
consider possible shots.
The storyboard
Break the script down into camera shots.
The storyboard is a detailed drawing of the sequence of shots to be taken.
Storyboards are similar to comic strips.
Storyboards will be used at the shoot.
Camera techniques
Students should research and experiment with different shots and camera techniques
- close ups, medium shots, long shots, panning, zooming, framing or point of
view shots.
Awareness of all your video camera's functions and operations is essential.
CHECK LIST FOR A SHOOT
- Actors rehearsed and
ready
- Locations checked out
- Storyboard complete
- Competent with equipment
use and everything in working order
- Awareness of lighting
and sound problems of location
- Close access to video
player and monitor to check product.
Editing
- Editing is a way of playing
with time and controlling the pace of the video.
- The end product should
be a coherent whole, rather than looking like a series of shots.
- There should be a mixture
of long shots, close-ups and medium shots.
- Editing techniques should
be researched prior to actual editing.
- Assistance may be sought
on the technical operation of editing equipment, but final editing should
be completed by students themselves.
- An editing script will
be devised prior to editing and any variations should be recorded in the script.

Video